Tuesday, June 30, 2009

Bands I Listened to at Work Last Week

I can basically listen to music the entire time I am at work.  I don't utilize all of the forty hours I work each week listening to music, but I do listen to a lot of tunes.  Here are most of, if not all, the bands I listened to last week.

Bands with complete albums listened to:
  • Future of the Left (most listened to band of the week)
  • McLusky (a very close second)
  • Les Savy Fav
  • Detachment Kit
  • Danananankroyd
  • Braid
  • Jimmy Eat World
  • Grizzly Bear
  • Franz Ferdinand
  • Sunny Day Real Estate
  • Antony and the Johnsons
  • The National
  • HUM
  • White Rabbits
Bands with a few songs listened to:
  • Faces on Film
  • Fall Out Boy
  • Drive Like Jehu
  • Ingrid Michaelson
  • Dear and the Headlights
I don't the know the specific number of times I listened to Future of the Left and McLusky, but I listened to them at least once a day at work and then again after work (while driving, disc golfing, etc.).  I'm assuming you haven't heard of them, Justin, as they're quite obscure, but I'll try to write about them sometime soon.

Monday, June 29, 2009

Weekly Film Symposium #1: Second Response

I've thought a bit about the larger implications Frozen River, what watching it has meant to me, what themes really impacted me, etc.  What most struck me was how the film portrayed the lengths desperate people will go and the price they will pay to provide for the ones they love, especially single mothers.  Melissa Leo's character did everything she could to provide for her children, even breaking the law.  Our first introduction to her character shows us great insight into her emotional struggles.  She sits in her car, the glove box opened and empty, and cries.  We later learn that her gambling addict husband has stolen the money she had hidden in the glove box to pay for the family's new double wide trailer, but even without knowing exactly why she cries, deep pain and anguish is visible in her face.  Again, Leo gave a fantastic performance.  Her character isn't the only person to act desperately.  Lily Littlewolf acts self-destructively because her mother-in-law, bitter because of the death of her son, takes her newborn son away from her.  She smuggles immigrants across the border then puts the money in Pringles cans and leaves them on her mother-in-law's doorstep, hoping in some small way to provide for the son she longs to nurture.  I feel so much empathy for these characters, good people beaten down by life, by the cold, and by circumstances they often can't control.

I agree with you, Justin, that the moment they learn there was a baby in the bag they left behind was intense and heartbreaking.  I assumed the worst and ached for the immigrant couple.  I wasn't sure how to view the baby's revival, whether to accept it as medical good luck like Ray or to see the hand of Providence in it like Lily.  I was browsing the film's IMDB message board and came across an interesting wikipedia link to something called brown fat.  Apparently mammals are born with a type of fat called brown fat, and this fat's primary purpose is to generate heat.  In fact, one of its primary functions is to generate heat even when body temperature is below the regular threshold.  This is vital for infants because of their inability to escape cold on their own.  It's possible then that the child could have survived the cold because of its brown fat, but there's no way to say.  I appreciate the film leaving this conclusion ambiguous; each viewer has to decide for themselves.  Personally, I see a little bit of both sides in the baby's survival, but that is just my personal opinion.

A question I've been thinking about since watching this film is:  how far would I go to provide for my family if I were in similar dire circumstances?  Would I break the law?  How much can you fault someone in that situation?  I realize that I will not likely, at least I hope, find myself in such dire necessity and inability to provide the basic needs for my future family, but I realize that life is unpredictable.  I am blessed to have resources to turn to in dark times (my family, the Church, etc.), but if I didn't have those fall backs, how would I behave?  I really can't say.  I think of my nephews and niece and how much I love them and would do anything to help them, and that is coming from an uncle.  I almost cannot fathom how much stronger I would feel as a father and husband.  I'm pretty certain that I would do almost anything for my family, without resorting to violence or other major violations of the law and/or other's rights.  I don't want to get into a discussion of moral relativism, but I really believe a person's circumstances and intentions determine the justness of their actions -- to an extent, of course.  Mostly I feel that people acting out of love for their families will receive mercy and understanding in the end, but I realize the law of the land cannot bend.  That's why I'm glad that Ray accepts her punishment at the end of the film.  I find the ending to be very optimistic and hopeful, like the worst of the storm has passed and better things are in store for both Ray and her sons, as well as Lily and her child.

This really is a fantastic film, and I'm glad we agreed to watch it.

Tuesday, June 23, 2009

Weekly Film Symposium #1: Response

Rating: 3.5/5

What really stood out to me in this film was the performance of Melissa Leo. I thought she was absolutely fantastic. Just like you Chris, I found myself watching a character, not somebody playing a character. She was so subtle and believable in her performance one possibly cannot say enough about it.

The writing and directing also deserve a giant kudos. The film was written with all believable characters, and realistically what people would do in a desperate situation. I didn't find myself doubting anybody's actions at any point. Although the film is subtle and moderately paced, it is far from boring. Although I don't feel like this is a film for everybody, I think anybody who wants to watch a good, moving, heartfelt drama should definitely pick this one up.

I also agree that the emotional scenes were done well, and were very effective without being overly dramatic or manipulative. The scenes that really stood out to me emotionally, were the one that Chris mentioned about the older brother putting the younger brother to bed on Christmas eve. The other one was when they realized that the bag they had left behind in the freezing cold contained a baby. That whole scene was impeccable. The look on Melissa Leo's face when she finds that out is stunning. She does so much acting in this movie without ever having to say a word. Anyway, back on track about the baby scene. That scene was very moving without having to use any manipulative tactics. My heart dropped when I found out that they had left the baby, and I felt an overwhelming sense of joy when they saved it. I thoroughly enjoyed this movie and would definitely watch it again.

Must see show!

I just read that Sunny Day Real Estate is going to reunite and tour this fall.  The original lineup is going to be playing a show in Salt Lake City in September.  I must be there.  

That is all.  I am excited.

Sunday, June 21, 2009

Weekly Film Symposium #1: Frozen River

Justin texted me on Monday with a suggestion for a recurring feature for this blog.  We both feel like we haven't come anywhere near to doing enough for this blog, and we are sorry for squandering this blog's potential for so long.  His idea was for us to choose a film that we would both watch and then discuss on this blog.  We are both seeking intelligent film discussion, and sometimes it's hard to come by.  Almost everyone in my peer group approaches film as entertainment, and while I cannot fault anyone for thinking that way, I also cannot allow myself to see film as entertainment only.  Granted, film ought to be entertaining, but I believe it should also do much more.  In a post I wrote about the film Young@Heart, I put forth my views that film, like all art, ought to do certain things:

It creates connections between the viewers and the work's subject, connections that are intellectual, emotional, and spiritual. The work promotes increased understanding of others, their view points, personalities, life experiences, and the essence of their being. Viewers should feel their understanding has expanded to include the subject of the work of art, and they should feel a sort of rebirth, like they have changed and can no longer remain the way they were. Lastly, a great work of art will create true and genuine empathy, what some might call charity or love.

With that in mind, I am pleased to write the inaugural post of our weekly film symposium.  I suppose I ought to put a SPOILER ALERT into effect for this and all other weekly film symposium posts.  If you plan on watching any of the films we will be discussing, you may not want to read what we have to say until you've seen the film for yourself.  Because we will be discussing thematic issues and other substantial matters regarding these films, we are interested in others' opinions on these films, and we welcome any and all comments.    



Frozen River - 2008 - written and directed by Courtney Hunt.
My rating: 3 and 3/4 stars

Frozen River was an independent film released last year.  It garnered very positive reviews, reaching 88% overall on Rotten Tomatoes, and Melissa Leo received a Best Actress Oscar nomination.  The films deals with a woman, Ray Eddy, all but abandoned by her gambling addict husband, and her struggles to keep a roof over the head of her two children and food on the table.  She works part-time at a dollar store and is unable to persuade her manager to move her to full-time even though she is more punctual and dependable than the younger, more attractive woman working full-time.   Ray gets involved in smuggling illegal aliens across a frozen river on the Mohawk reservation on the New York - Canada border.  Needing money to pay for a new double-wide trailer and put presents under the Christmas tree, Ray decides to make a couple more smuggling runs with the Mohawk young woman, Lily Littlewolf.  Each trip becomes more dangerous and desperate than the last.

I was quite impressed with Courtney Hunt's writing and directorial debut.  I thought the film was quite subtle and mature.  It deals with a very sensitive issue (e.g. illegal immigration) in a way that is neither heavy handed nor didactic.  The film portrays realistic characters struggling to get by, and I was really struck by the portrayal of single mothers and the many difficulties they face.  The cinematography is unassuming but effective.  You can almost feel the incredible winter cold just by looking at the frozen landscape.  Mostly I was impressed with Melissa Leo's performance.  I can't think of another think I've seen her in, but IMDB shows a good body of work.  I think her performance and Oscar nomination for this film will probably earn her a few more leading roles.  In a way, her performance reminded me of Amy Ryan in Gone Baby Gone, not necessarily that they played similar characters, but they both really were their characters.  I didn't feel like I was watching a performance, and whenever that happens, I know that I am watching an excellent performance.

There were a lot of small moments that really caught my attention.  Ray putting on a smiling face for her youngest son, not wanting him to know just how dire their circumstances are.  The oldest son putting his brother to sleep on Christmas eve.  Just a lot of subtle moments that could have been overly sentimental or mishandled in some way.  Overall, I would recommend this film to viewers with the patience to watch a deliberately paced film with strong performances that leaves each viewer to draw their own conclusions regarding the characters and the choices they make.

That's all for my initial remarks regarding the film.

Monday, June 15, 2009

Music in the Dark

I watched Toy Story with some friends tonight.  After it ended (still such a fantastic film), we sat around and talked.  Then the time came for people to head home.  My roommates went upstairs to sleep, and I just stayed where I was, sitting on the couch in the dark with my MacBook on my lap, listening to Elliott Smith.

For some reason, I thought I should share this image with you, Justin.

Sunday, June 7, 2009

The Letter A

I guess when you announce that you are going to do something (like create a new recurring feature for a blog), you should probably follow through.  Here I am to quell every one's fear that I might not follow-up with my previous announcement.

The letter A is a pretty good place to start this new feature highlighting my favorite albums by bands whose name starts with a particular letter of the alphabet.  Here we go:

The Arcade Fire - Funeral



When I returned from my two-year LDS mission to Brazil, one of the first things I did was hop online and search for end of year best-of lists, hoping to find the best albums released while I was otherwise occupied in the shortest amount of time possible.  Pitchfork, probably the biggest indie-music site right now, has always helped me find good music since I first discovered it way back in 1999.  At the top of Pitchfork's best albums of 2004 list was Funeral by The Arcade Fire.  It wasn't long before I found myself listening to the album.  I was struck immediately by the urgency in the music, both in the instruments but mostly in the vocals.  There was just such power in the music and in the lyrics.  Having not listened to very much music for the two previous years, hearing the Arcade Fire was like being struck by a bolt of lightning.

The entire album is amazing, as is the group's second album, Neon Bible.  If I were forced to pick my three favorite tracks, I would go with:  "Neighborhood #3 (Power Out)", "Wake Up", and "Crown of Love", with "Rebellion (Lies)" a very close fourth.  As powerful as I thought these songs were on the album, nothing could have prepared me for hearing them live.  I first saw the band play at the 2007 Coachella music festival, then a second time at Thanksgiving Point, Utah.  There are very few bands better than the Arcade Fire in a live setting.  Each member of the band, as many as ten people playing a diverse group of instruments, puts everything into every song.  There is an incredible amount of energy in their live show, and I was blown away both times I saw them.  There were so many fist-pumping, sing along at the top of your lungs moments.  Each performance would likely find itself in my top 10 shows if I were to make such a list someday.

I cannot recommend this band and both of their albums enough.


At the Drive-In - Vaya EP



Okay, so an EP isn't technically what we would consider an album, but I had to include this band, one of my favorite and first indie-bands I discovered as an adolescent.  This blog's title came from a misheard At the Drive-In lyric.  Here is another band overflowing with energy.  This seven song EP is probably the best place to start with this band.  It's more polished, in its songwriting and in its production, than the band's earlier work, and it's more consistent than Relationship of Command, the band's only release after this EP.  But every release is very good.  In fact, some of you may have heard the song "One-Armed Scissor" back in 2001-02 when it got a decent amount of play on MTV2 and the radio.

Anyway, this band rocks hard.  The lyrics are pretty obtuse, but it doesn't matter.  The dual guitars are loud and intricate, the rhythm section is very tight, and the spoken/sung/screamed vocals are fantastic.  My favorite tracks on the EP are:  "Rascuache", "Proxima Centauri", and "Ursa Minor."  But as I stated previously, this is a consistently great EP.  All of the songs are worth listening to.  (I am guessing that this will hold true with every album I ever write about because I'm choosing some of my all-time favorite albums, and I wouldn't like them that much if they had bad tracks on them).  Sadly, At the Drive-In broke up into two lesser bands which have yet to equal their earlier glory.  I'm hoping for an eventual reunion tour.


Autolux - Future Perfect



I wrote about this band previously when I gave them the "Get On With It" award so I won't go into too much detail about this band in this post.  Autolux is just a fantastic rock band.  Their sound is distinct.  They have some of the best sounding rock songs I've heard.  I just love the guitar tone, and the drums sound incredible.  Future Perfect is a superbly produced album.  Of course, the production would be meaningless if the songs weren't well-written.  Don't worry - they are very well-written.  My favorite tracks are:  "Angry Candy", "Subzero", and (it's tough to choose just three) "Here Comes Everybody."  I urge everyone to listen to the Autolux songs in my playlist on this page.



Albums by 'A' Bands Worth Mentioning:  Art Brut - Bang Bang Rock and Roll, And You Will Know Us by the Trail of Dead - Source Tags and Code, Annie - Anniemal, Andrew Bird - The Mysterious Production of Eggs.


If anyone is interested in hearing these albums, leave a comment and let me know.  I'll find a way for you to hear them.